Alters are created for deceased loved ones, with photographs, usually marigold flowers, with food and memorabilia that the departed liked. Families gather and remember their loved ones by going to the cemetery, again leaving 'ofrendas' (offerings) behind and eating food like 'pan de muertos' and candy sugar skulls while reminiscing of their departed loved ones.
There are variations throughout Mexico, so I was told, and often celebrations can carry on for weeks. I spent the next three weeks travelling to Merida, Oaxaca, Mexico City and Guanajuato and everywhere, there were skulls and skeletons represented with street art, banners hanging up above, parades with traditional puppets and orchestras playing music... all celebrating the souls of those that have departed.
There are also many pre-Hispanic traditions around the dead that have added to the rich culture of Mexico and their ways of looking at death. Unlike say in North America, where we pretend it doesn't exist until it inevitably happens to someone we know and love, here it seems so much more part of everyday life, historically, culturally, artistically. In towns like Oaxaca, there were skulls in galleries, painted on walls, in cafes, hanging from balconies, in the market, in hotel lobbies...
"Do you miss the life you had? So do I." (in memory of those that are no longer with us) |
'Full length' for sale at the market. |
"La Catrina" has become the most popular representation of Day of the Dead and even beyond as a Mexican symbol on handicrafts, dolls, stickers and, in this case, a mural. |
In a hotel lobby |
"When everything passes, I'll look for you and I'll hug you so strongly that we will forget time. When everything passes, I will need you more than ever." |
A sand painting at the Zapoteca ruins of Monte Alban. |
There are many art galleries in Oaxaca with printmaking presses and, of course, with a lot of pieces on the theme of 'muertos'. |
Everyday, someone spoke to me about my life. Listening, softly, slowly, he told me: 'Live, live, live!' It was Death. |
No comments:
Post a Comment